• Bar of Gold (4-5) wins the Empire Distaff by a country mile.Posted 8 minutes ago
  • Pat On The Back (20-1) puts them to sleep in a sloppy Sleepy Hollow.Posted 38 minutes ago
  • 2001 Kentucky Derby winner, Monarchos has passed away at the age of 18.Posted 2 hours ago
  • Winx absolutely dominant in winning a second Cox Plate.Posted 9 hours ago
  • Quidura (7-2) scores another graded stakes win at Keeneland for Graham Motion.Posted 22 hours ago
  • Frosted is pointing to the Breeders' Cup Classic, per his connections.Posted 3 days ago
  • Erupt (IRE) at 12-1 closes to win the $1,000,000 Pattison Canadian International (G1)Posted 5 days ago
  • Al's Gal (6-1) wins the head bob and the E. P. Taylor (G1) at WoodbinePosted 5 days ago
  • Blanket finish in the Nearctic (G2) at Woodbine goes to Calgary Cat (15-1)Posted 6 days ago
  • Arella Rockstar (12-1) upsets the Matron (G3) at Belmont Park.Posted 6 days ago
Breeders Cup 2015


Is it that difficult to show a race on television so that it both reflects the power and excitement of the Thoroughbred horse and yet still allows viewers to know what’s going on in the race? Apparently so, especially if you happened to be the person in charge of televising Saturday’s Belmont Stakes on ABC Sports/ESPN... Read More


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If you had a split screen of the normal track feed and the blimp shot, that's all you would need. The blimp shot is great at picking up horses on the move. If you don't like the split screen idea, at least throw the Trackus feature up below the track feed since it may often offer the only clue to what is going on in a race given the bone head attempts of networks to cover the race.
the ultimate accountability for a televised show is the director's use of the multiple images he/she receives during the broadcast along with their placement. The mindless view changes destroys continuity of the race and they should just leave it to the feed the crowd gets.

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